The Schema
In a 1920 letter to Carlo Linati (a friend and early reader of Ulysses), Joyce wrote, “in view of the enormous bulk and the more than enormous complexity of my […] novel it would be better to send you a sort of summary-key-skeleton-scheme (for your personal use only). Perhaps my idea will appear clearer to you when you have the text” (Letters I 146). So, even before having finished writing the novel, Joyce recognized that readers needed some support in grasping the nuanced allusions and intricate structures he had put into Ulysses. He later sent similar "schemas" to other friends and early scholars of Joyce’s work, including Stuart Gilbert. Joyce gave Gilbert permission to publish the contents of the schema in his study of the novel published in 1930. The Gilbert and Linati schemas have some differences, but I have collated their information into the table below.
Episode | Time | Scene | Color | Technique | Correspondences | Science/Art | Meaning | Organ | Symbols |
---|---|---|---|---|---|---|---|---|---|
1.Telemachus | 8:00 | Tower | Gold, White | Narrative (young) | Stephen = Telemachus, Buck = Antinous, Milkwoman = Mentor | Theology | Dispossessed son in struggle | None | Hamlet, Ireland, Heir |
2. Nestor | 10:00 | School | Brown | Catechism (personal) | Deasy = Nestor, Stephen = Telemachus, Sargent = Pisistratus, Mrs. O'Shea = Helen | History | Wisdom of the Old World | None | Horse, Ulster, Woman, Common Sense |
3. Proteus | 11:00 | Strand | Blue, Green | Monologue (male) | Primal Matter = Proteus, Kevin Egan = Menelaus, Cocklepickers = magapenthes | Philology | Prima materia | None | Word, Tide, Evolution, Metamorphosis |
4. Calypso | 8:00 | House | Orange | Narrative (mature) | Mr. Bloom = Ulysses, Molly Bloom = Calypso, Penelope, The Nymph = Calypso, Zion = Ithaca | Mythology, Economics | The departing wayfarer | Kidneys | Exile, family, Nymph, Israel, vagina |
5. Lotus-Eaters | 10:00 | Bath | Brown | Narcissism | Ulysses, Nausicaa, Erylochus, bather, communicants | Chemistry, Botany | Seduction of the faith | Skin, genitals | Host, penis, flower, drugs |
6. Hades | 11:00 | Graveyard | Black, White | Incubism | Dignam = Elpinor, Menton = Ajax, Parnell = Agamemnon, O'Connell = Hercules, Cunningham = Sisyphus, Caretaker = Hades, the 4 rivers, Orion, Laertes, Telemachus, Antinous | Religion | Descent to Nothing | Heart | Cemetary, the past, the unknown man, heart trouble |
7. Aeolus | 12:00 | Newspaper | Red | Enthymemic | Crawford = Aeolus, Journalism = Incest, Press = Floating Island, Mentor, Ulysses, Telemachus | Rhetoric | Mockery of victory | Lungs | Machines, wind, fame, kite, failed destinies, press, mutability |
8.Lestrygonians | 1:00 | Lunch | Blood Color | Peristaltic Prose | Hunger = Antiphates, Food = The Decoy, Teeth = Lestrygonians | Architecture | Dejection | Esophagus | Bloody sacrifice, foods, shame, constables |
9. Scylla & Charybdis | 2:00 | Library | none | Whirlpools, dialectic | The rock = Aristotle, Dogma, Stratford / The Whirlpool = Plato, Mysticism, London / Ulysses = Socrates, Jesus, Shakespeare / Telemachus, Antinous | Literature | Two-edged dilemma | Brain | Hamlet, Shakespeare, Christ, Socrates, London and Stratford, Scholasticism and Mysticism, Plato and Aristotle, Youth and Maturity |
10. Wandering Rocks | 3:00 | Streets | Rainbow | Labyrinth | Liffey = Bosphorous, Viceroy = European Bank, Conmee = Asiatic Bank, Groups of Citizens = Symplegades | Mechanics | Hostile Environment | Blood | Christ and Caesar, Errors, Homynyms, Sychronization, Resemblances |
11. Sirens | 4:00 | Concert Room | Coral | Fuga per Canonem | Barmaids = Sirens, Bar = Isle, Parthenope, Ulysses, Orpheus, Menalaus | Music | Sweet Cheat | Ear | Promises, Woman, Sounds, Embellishments |
12. Cyclops | 5:00 | Tavern | Green | Gigantism | I = Noman, Cigar = Stake, Apotheosis = Challenge | Surgery | The egocidal terror | Muscles, Bone | Nation, Religion, Gymnastics, Idealism, Exaggeration, Fanaticism, Collectivity |
13. Nausicaa | 8:00 | Rocks | Grey | Tuescence/Detumescence, Retrogressive Progression | Star of the Sea = Phaescia, Gerty = Nausicaa, Ulysses | Painting | The projected mirage | Eye, Nose | Onanism, Female, Virgin, Hypocrisy |
14. Oxen of the Sun | 10:00 | Hospital | White | Embryonic development | Hospital = Trinacria, Nurses = Lampetie, Phaesthusa / Horne = Helios, Fertility = Oxen, Fraud = Crime / Jove, Ulysses | Medicine | The Eternal Flocks | Matrix, Uterus | Fecundation, Frauds, mothers |
15. Circe | 12:00 | Brothel | Violet | Hallucination | Bella = Circe / beasts, Telemachus, Ulysses, Hermes | Magic | The man-eating orc | Locomotor apparatus | Zoology, personification, pantheism, poison, antidote |
16. Eumaeus | 1:00 | Shelter | None | Narrative (old) | Skin the Goat = Eumaeus, Sailor = Ulysses Pseudangelos, Corley - Melanthius | Navigation | The ambush at home | Nerves | Sailors |
17. Ithaca | 2:00 | House | Starry, Milky | Catechism (impersonal) | Boylan = Eurymachus, Scruples = Suitors, Reason = Bow | Science | The armed hope | Skeleton | Comets |
18. Penelope | ∞ | Bed | Starry, Milky, Dawn | Monologue (female) | Earth = Penelope, Movement = Web | None | The past sleeps | Fat | Earth |
In addition to the individual episode titles, the Gilbert schema divides the novel into three parts, which Joyce also titled:
Part I: “Telemachia” (Episodes 1-3)
Part II: “Odyssey” (Episodes 4-15)
Part III: “Nostos” (Episodes 16-18)